Abstract

Deleuze and Guattari describe the body without organs as a frontier experience, as an enrichment, strata, and an assemblage of intensities. The body without organs is made through experimentation, sound production, haptic perception rather than interpretation, and visual perception, because ideas of the world, the visual are encoded and appropriated by the conceptual apparatus, by the territorial machine. At the heart of Laruelle's non-photography and his non-standard aesthetics is the attempt to withdraw onto-photo-logical causality from the visual, from object-forms. For this purpose, objects are to be considered as scientific discoveries and should be investigated using a generic science that uncovers indeterminants and scenarios. Therefore, this article discovers assemblages with the perspective of a non-standard aesthetic, to find not only in the audible material, but also in the visual material of video montages, double and multiple exposures, the non-onto-photo logical areas of perception of the organless, the imaginary, the darkening of concepts, the superpositions of experiences, and images without objects.