Abstract

Is Hegel's esthetics of interest to us, people of the twentieth century? Have his ideas not retreated to nonexistence with his times? Or are those who insist upon the need to investigate Hegelian esthetics and Hegel's mode of thought as a whole beginning, unconsciously and contrary to their wills, to defend the viewpoint that, despite all the progress of natural science and technology, people continue to think after the fashion of their ancestors and that human thought is either hopelessly lagging or is invariably moving in a circle?