Abstract

The present work proposes a reading about the text “The Narrator ” written in 1936, by Walter Benjamin, a commissioned text where he deals with the Art of Narrating and how its conceptual bias innovates/clarifies the modern view on this form of knowledge. We will show the main ideas contained in the author's work, through his reading, and seek at the end a formulation of a critical hermeneutic thought constant in the work. It is not a matter of giving new foundations, concepts or clarifications contained in the work, but purely analyzing what the author proposed.