Abstract

Starting from the concept of Digital Earth, the article questions the effects that Google’s geo-spatial applications have produced on our daily relationship with information, and the way we experience the spaces around us. Its aim is twofold: on the one hand, I intend to examine the implications that bring Google’s digital maps closer to the invention of the print or telescope; on the other hand, I intend to explain, through a medio-anthropological investigation, how the map, as a medium of perception, falls not only de facto, but also de jure, into the field of aesthetics.