Abstract

This article draws on Jacques Derrida’s and Roberto Esposito’s conceptualisations of the immunitarian paradigm to analyse the Slovenian crime novel _The Virus_. In the first part, we examine the links between neoliberalism and the rise of the Slovenian authoritarian state during the first wave of the Covid-19 pandemic. In the second part, we show that the neoliberal ethos is expressed in the figure of the self-serving and self-disciplined detective, in the nature of desocialised and privatised crime, and in the figure of the self-righteous criminal. Although the actions of the detective and the criminal are autoimmunitarian, both function – paradoxically – as guardians of the common good by pursuing private interests. In the final section, we deconstruct the binary oppositions underlying the dual status of murdered victims, who are simultaneously criminally responsible and possess an unusual (non-heteronormative) or pathological sexual identity.