Sovereign Feminine: Music and Gender in Eighteenth-Century Germany

The European Legacy 23 (5):590-592 (2018)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

DOI

10.1080/10848770.2018.1441182

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,758

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Feminine Endings: Music, Gender, and Sexuality.Susan Mcclary - 1992 - Journal of Aesthetics and Art Criticism 50 (4):338-340.
Musical Thought in Britain and Germany During the Early Eighteenth Century.Donald R. Boomgaarden - 1987 - Peter Lang Incorporated, International Academic Publishers.
The feminine and masculine gender role stress — conclusions from Polish studies.Maria Kazmierczak - 2010 - Polish Psychological Bulletin 41 (1):20-30.
The Uses of Empiricism: Ernst Christian Trapp and the Tribulations of an Educational Reformer in Eighteenth-Century Germany.Norman R. Diffey - 1997 - Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 16:147.
German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music.Mary Sue Morrow, Professor of Musicology Mary Sue Morrow & Morrow Mary Sue - 1997 - Cambridge University Press.
A History of Modern Aesthetics 3 Volume Set.Paul Guyer - 2014 - New York , NY: Cambridge University Press.
Fictions of the Feminine in the Nineteenth-century Spanish Press.Lou Charnon-Deutsch - 2000 - Penn State Press.
Motions and Passions: Music-Playing Women Automata and the Culture of Affect in Late Eighteenth-Century Germany.Adelheid Voskuhl - 2007 - In Jessica Riskin (ed.), Genesis Redux: Essays in the History and Philosophy of Artificial Life. University of Chicago Press. pp. 293--320.
Gender and the Formation of Taste in Eighteenth-Century Britain: The Analysis of Beauty.Robert W. Jones - 1998 - Cambridge University Press.
Music, gender and culture; guest ed: Marcia Herndon and Suzanne Ziegler; International council for traditional music, ICTM study group on music and Gender.Marcia Herndon, Susanne Ziegler, Ictm Study Group on Music and Gender & International Council for Traditional Music - 1990 - C F Peters Corporation.
Aesthetics of opera in the Ancien Régime, 1647-1785.Downing A. Thomas - 2002 - New York: Cambridge University Press.
Changing Aesthetic Views of Instrumental Music in 18th Century Germany.Bellamy Hosler - 1981 - Ann Arbor: Mich. : UMI Research Press.
The Affektenlehre in the Eighteenth Century.Frederick T. Wessel - 1974 - University Microfilms.
Aesthetics of Music in Sixteenth Century Germany, the Low Countries and England.David Whitwell - 1996 - Winds.
Taste, style, and ideology in eighteenth-century music.Edward E. Lowinsky - 1965 - Baltimore: Johns Hopkins University Press.

Analytics

Added to PP
2018-03-04

Downloads
6 (#1,478,913)

6 months
1 (#1,507,095)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references