Abstract

Each work of Kafka's is so rich in "interrelationships" that it is virtually impossible to engage in reasoning about them without analysis of notions "pertaining to content." Here an estheticist, even one who regards the immanent approach as obligatory, faces a dilemma that, as a general rule, confronts only someone just starting a career as critic: whether, upon having analyzed a work, to leave it to the reader himself to draw the conclusions in social philosophy, or whether to construct his analysis directly on the basis of historical, sociological, philosophical, esthetic, and psychological reasoning