Abstract

In the article, the author tries to present what the specificity of the issue should consist of – the One and the Many in the aspect of the philosophy of art. For this purpose, he refers to the thought of H-G. Gadamer and Th. W. Adorno, showing the specificity of the existence of artistic objects and the necessity of the emergence of separate interpretations inscribed in it, which, however, have their source in the possibilitiesoffered by a work of art, and are not an external application of content, with a completely separate specificity of existence. When adapting philosophical content, he tries not to forget about the exemplification coming straight from the world of art.