Journal of Speculative Philosophy 25 (1):22-32 (2011)

The artist Sandra McMorris Johnson once told me that, as much as she had always loved Gauguin, she had nevertheless become increasingly uncomfortable looking at his paintings because so many of them depict thirteen-year-old girls in an extremely sexualized way. I think about her discomfort with Gauguin whenever I consider my reaction to Balthus, an artist whose best paintings I find to be utterly beautiful.1 These paintings are, however, highly, if not obsessively, eroticized portraits of prepubescent girls. It should be noted that Balthus—known to some as the "Lolita painter"—dismissed criticism of his subject matter by declaring an allegiance to formalism.2 But, as a pragmatist, I cannot hide behind a strict ..
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DOI 10.1353/jsp.2011.0004
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References found in this work BETA

The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.
Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard SHUSTERMAN - 1992 - Transactions of the Charles S. Peirce Society 29 (3):480-488.
The Continuity of Peirce’s Thought.Kelly A. Parker - 1998 - Transactions of the Charles S. Peirce Society 35 (1):214-223.
John Dewey’s Theory of Art, Experience and Nature: The Horizons of Feeling.John Dewey & Thomas M. Alexander - 1987 - Transactions of the Charles S. Peirce Society 24 (2):293-301.
Philosophy as/and/of Literature.Arthur C. Danto - 1984 - Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.

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