Abstract

This essay offers distance and stillness as means by which to access and understand the dynamism of cities. I reflect on stillness as an unexpected aesthetic within artistic projects that represent urban environments, and as a vital approach to engaging with such artworks. Focusing on Lagos, Nigeria, I consider one photographic series by Abraham Oghobase and one sound work by Emeka Ogboh. I read their work in light of philosopher Jeff Malpas’s conceptualization of place as “existential ground.” In considering this relational aspect of place, I ruminate on the way distance facilitates the careful looking and listening that connects artist, object, and viewer/listener through stillness