Abstract

The article focuses on the significance that the figural order of discourse, especially by means of syllepsis, has in Kant’s Critique. We follow as a thread the internal aporetic of Kant’s Writings, which the Kantian scholar Gérard Lebrun examined in different articles, in order to outline the reach of what the article displays as a Rhetoric within the limits of mere Reason. This work proposes to contribute to the clarification of the reciprocal dependence between the progress of the self-knowledge process of reason and the formation of rhetorical figures — not only based on the discovery of analogies — which form also part of Kantian theory of objectivity