Philosophy Compass 3 (4):590-603 (2008)

Authors
Paisley Livingston
Lingnan University
Abstract
Although the cinematic medium can be used in philosophically valuable ways, bold contentions about how films 'do philosophy' in an independent, innovative and exclusively cinematic manner are highly problematic. Philosophers' interpretations of the stories conveyed in cinematic fictions do not actually support such bold claims about film's independent philosophical value; nor do they offer adequate appreciations of the films' artistic value. Different kinds of interpretations having different goals and conditions of success should be kept in view if we are to take a sufficiently critical perspective on contributions in this area. In particular, 'as if' interpretations in which a philosophical problematic is freely applied to elements of a movie's story are contrasted to interpretations that target a film author's actual philosophizing.
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DOI 10.1111/j.1747-9991.2008.00158.x
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References found in this work BETA

On Film.Stephen Mulhall - 2001 - Routledge.
Art and Intention.Paisley Nathan Livingston - 2005 - Tijdschrift Voor Filosofie 68 (2):414-415.
Pursuits of Happiness: The Hollywood Comedy of Remarriage.Noel Carroll - 1982 - Journal of Aesthetics and Art Criticism 41 (1):103-106.

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