Musical Analysis as Stage Direction

Origins of modernism: musical structures and narrative forms.Marshall Brown - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 75--92.

Music and text: critical inquiries.Steven P. Scher (ed.) - 1992 - New York: Cambridge University Press.

Music and Literature: The Institutional Dimensions.John Neubauer - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 3--20.

Music and Representation: The Instance of Haydn's Creation.Lawrence Kramer - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 139--62.

Lyrical modes.Paul Alpers - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 59--74.

Privileging the moment of reception: Music and radio in South Africa.Charles Hamm - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 21--37.

„Poet's Love or Composer's Love?“.Edward T. Cone - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press. pp. 177--92.

Music and Text: Critical Inquiries.Steven Paul Scher - 1994 - Journal of Aesthetics and Art Criticism 52 (2):264-265.

Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea.Thomas Grey - 1992 - In Steven P. Scher (ed.), Music and text: critical inquiries. New York: Cambridge University Press.

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