Diogenes 52 (4):61-72 (
2005)
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Abstract
From the Symbolist period to the inter-war years, and in works ever more numerous as time went by, literature and medicine, both together and separately, constructed a discourse progressively focused on the enigma of the ‘third sex’. But how perceived? As an aberration, a mere legend, a mirage, a mental defect, a mistake of nature? The ‘third sex’ came to designate the sex of the indistinct, that which has no name, drawing within its sphere the primordial Adam, the angel, the ephebe, the androgyne, the hermaphrodite, the transvestite, the effeminate male, the mannish woman, the pederast, the sodomite, the tribade, the Sapphist, the transsexual, the degenerate. Around 1900, to this unsettling tribe was even added the working woman who, as a result, was thought to have ‘abandoned her true condition’, and who thus had become ‘desexualized’ or ‘asexual’. In his preface to Willy's treatise on the Third Sex (1927), describing the Paris of Sodom and Gomorrah, Louis Estève drew attention to the part played by a now totally forgotten novel of the same name, The Third Sex by Ernst Ludwig von Wolzogen (1902), in the creation, handing down and popularization of this term. But contrary to what this title might suggest, Wolzogen does not focus on homosexuals in his book, but rather on those independent women, without husbands but with jobs, whom he refers to as ‘the neuters’. Neutrality conceived of as the effacement of the masculine and the feminine, perhaps as an effect of modern life? The theme has now come full circle in the corpus of reflection on the third sex, though it seems to have been applied more specifically to emancipated women, and singularly to lesbians.