Abstract

This article focusses on the meta-literary thread in the correspondence exchanged between Sławomir Mrożek and Wojciech Skalmowski. The latter, wondering about the actual reason why writers create literature, provocatively reduced the metaphysical dimension of a work of art to learn about its contemporary actual value; whether it is was only trade-based. Baudelaire’s work as interpreted by Walter Benjamin became a major context indicating the diversity in the perception of the analysed problem depending on historical time. The article discusses how during his exchange with Skalmowski Mrożek tried to answer the title question about the reason why he created literature, and, which is the most important, how he started focussing on elements which he previously missed or marginalised.