Abstract

This English translation gathers together essays from Le sujet de la philosophie: Typographies I and L'imitation des modernes: Typographies II, along with a major essay entitled "Typographie." These essays are an inquiry into the delimitation of mimesis from Plato to Heidegger as representation or imitation "with a character of veri-similitude " [[sic]]. Concealed within the Platonic determination of Being as eidos is the filiation between "the representation of Being as figure and Darstellung, presentation... or 'literary representation'". In uncovering the derivation of Gestalt and Darstellung from Ge-stell, or installation, Lacoue-Labarthe exposes the "ontological power of poiesis.... Philosophy, then, will have always been a matter of erection", that is, of fiction in the sense of installation, which is to say of mimesis as poiesis. The threat of mimesis lies in its displacement or "disinstallation of poiesis," or the productive capacity of representation so that "it proves difficult, if not impossible, to refer the thing thus installed to its truth or Being, to its idea". In the six essays that make up the book, Lacoue-Labarthe turns to Plato, Diderot, Hölderlin, Nietzsche, Reik, Heidegger, and Rene Girard, and to such topics as tragedy, music, autobiography, and the problematics of individual and national self-identification. In demonstrating how mimesis has determined philosophical thought, Lacoue-Labarthe provokes us into reconsidering our understanding of history and politics.