Samuel J. Keyser. The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century

Evolutionary Studies in Imaginative Culture 4 (2):145-150 (2020)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,891

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Evolutionary Perspectives on Music.Nicholas Bannan - 2021 - Evolutionary Studies in Imaginative Culture 5 (2):149-152.
Why We Need a Journal with the Title Evolutionary Studies in Imaginative Culture.Joseph Carroll - 2017 - Evolutionary Studies in Imaginative Culture 1 (1):vii-xii.
Music.Nicholas Bannan - 2022 - Evolutionary Studies in Imaginative Culture 6 (1):139-142.
Music.Nicholas Bannan - 2021 - Evolutionary Studies in Imaginative Culture 5 (1):139-140.
The Evolution of Music, 2023.Nicholas Bannan - forthcoming - Evolutionary Studies in Imaginative Culture:62-66.

Analytics

Added to PP
2022-08-12

Downloads
15 (#947,122)

6 months
8 (#506,022)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The Clockwork Muse: The Predictability of Artistic Change.Colin Martindale - 1992 - Journal of Aesthetics and Art Criticism 50 (2):171-173.
Coevolutionary aesthetics in human and biotic artworlds.Richard O. Prum - 2013 - Biology and Philosophy 28 (5):811-832.

Add more references