Abstract

Berlin has become the German place of remembrance for 1968. In other cities, too, students, artists, and professors rose up against authoritarian ways of life and institutions, pointing to the “fascism” of the Nazi period that their parents wished to repress. But remembrance likes the beauty of appearances, and the revolt in Berlin was initially colored by something unreal and playful, a counterpoint led to its conclusion, something both bounded and experimental. This something was lost between 1967 and 1969, though it was even less present outside of Berlin, perhaps because of the delay with which the revolt spread beyond..