Abstract

Hegel’s chief criticism of Kant in his early essay Faith and Knowledge is that Kant’s philosophy introduces the dichotomy between intuition and concept, between being and thought. As a result, Kantian philosophy fails to explain how the synthesis between concepts and intuitions in experience is possible. Kant’s theory of ideas is symptomatic of this failure: Kant’s idea refers to the concept of totality, the highest expression of reason, which is nonetheless not accessible to human experience. Yet, Hegel recognizes another conception of an idea in Kant’s philosophy: the aesthetic idea in the Critique of Judgment is, according to Hegel, the “most interesting point in the Kantian System.” Kant describes the aesthetic idea as an intuition that contains much thought (conceptual content): in the aesthetic idea, then, the concept-intuition dichotomy falls away. And while Kant reduces the aesthetic idea to the subjective framework of reflective judgment, I argue that Hegel treats the aesthetic idea as something like a precursor of the speculative idea: the original unity between thought and being.