Abstract

This essay revisits the relationship between philosophy and poetry. It argues that a crucial term, ‘verse’, is often missing from discussion of that relationship. The broader term, ‘poetry’, is so difficult to define that it offers insufficient specific resistance to large philosophical schemas. The question is explored here through an analysis of the prosodic microstructures in John Wilkinson's The Speaking Twins. I conclude that Wilkinson's poem is an instance of ‘unfree verse’ and that the poem's verse technique is also the site of its historical truth-content.