Abstract

Our classicism -- Narrative bodies: the case of Rubens -- Wagner as dramatist and allegorist -- Transcendence and movie-music in Mahler -- Late modernism in film -- Angelopoulos and collective narrative -- History and elegy in Sokurov -- Dekalog as decameron -- Adaptation as experiment in the postmodern -- Eurotrash or regieoper? -- Altman and the national-popular -- A global neuromancer -- Realism and utopia in the wire -- The clocks of Dresden -- Counterfactual socialisms -- Dirty little secret.