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The capacity for music: What is it, and what’s special about it?
Cognition 100 (1):33-72 (2006)
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Citations of this work
The evolution of the language faculty: Clarifications and implications.W. Tecumseh Fitch, Marc D. Hauser & Noam Chomsky - 2005 - Cognition 97 (2):179-210.
The biology and evolution of music: A comparative perspective.W. Tecumseh Fitch - 2006 - Cognition 100 (1):173-215.
Origins of music in credible signaling.Samuel A. Mehr, Max M. Krasnow, Gregory A. Bryant & Edward H. Hagen - 2021 - Behavioral and Brain Sciences 44:e60.
The Sound of Music: Externalist Style.Luke Kersten & Robert A. Wilson - 2016 - American Philosophical Quarterly 53 (2):139-154.
The creative aspect of language use and the implications for linguistic science.Eran Asoulin - 2013 - Biolinguistics 7:228-248.
References found in this work
The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Antonio Damasio - 1999 - Harcourt Brace and Co.
Foundations of Language: Brain, Meaning, Grammar, Evolution.Ray Jackendoff - 2002 - Oxford University Press UK.
Frame Analysis: An Essay on the Organization of Experience.Erving Goffman - 1979 - Philosophy and Phenomenological Research 39 (4):601-602.
The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist Programme.S. J. Gould & R. C. Lewontin - 1979 - In E. Sober (ed.), Conceptual Issues in Evolutionary Biology. The Mit Press. Bradford Books. pp. 73-90.
Foundations of Language: Brain, Meaning, Grammar, Evolution.Ray Jackendoff - 2002 - Oxford University Press UK.
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