Abstract

The ability to bear witness to human trauma and devastation through technologies in the new media age endorses suffering as a form of mass spectacle which can negotiate distance between an exterior world as well as the unfamiliar and the unknown. Our engagements with these forms of mediated suffering in postmodernity can be public and complex and conditioned by both media power and our ability to domesticate suffering in the private confines of our homes. This article reviews the domestication of suffering historically in mainstream media. It contends that mediated suffering has become an entrenched ritual in the media landscape and is a multi-faceted device which can be functionalist and therapeutic yet too pervasive to be rendered meaningful in people’s everyday lives.