Abstract

Some philosophers hold that mathematics depends on idealising assumptions. While these thinkers typically emphasise the role of idealisation in set theory, Edmund Husserl argues that idealisation is constitutive of the early Greek geometry that is codified by Euclid. This paper takes up Husserl's idea by investigating three major developments of Greek geometry: Thalean analogical idealisation, Hippocratean dynamic idealisation, and Archimedean mechanical idealisation. I argue that these idealisations are not, as Husserl held, primarily a matter of ‘smoothing out’ sensory reality to produce ideal, ‘perfect’ figures. Rather, Greek geometry depends on assuming some falsehoods – equidistance from a source of illumination, a perfectly unwavering hand, or a machine that weights abstract objects – in order to make complex problems tractable. Although these idealisations were rarely discussed explicitly in antiquity, they can be systematically reconstructed from our extant sources.