Metaphysical Elements of Creativity In the Philosophy of W. E. Hocking, Part I

Idealistic Studies 2 (3):249-264 (1972)
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Abstract

William Ernest Hocking has been described as “the people’s philosopher,” “the last of the Golden Age of American philosophy,” and “the dean of American philosophers.” These labels reflect something of the sensitivity of the man and the magnitude of his achievements. Hocking’s own words illustrate the appropriateness of the diverse labels. “Philosophy is the common man’s business,” he once remarked, “and until it reaches the common man and answers his questions it is not doing its duty.” “Philosophic thinking, stirred to the depths by catastrophic events on a worldscale, has become a public concern in a new sense. The rise of clearmarked ideologies, undertaking to align men in vast numbers behind a constellation of points-of-view which it would be unfair to call philosophies—unfair to philosophy, I mean—yet with philosophical groundwork, has compelled men the world over to take issues of truth with renewed seriousness.” But, the other two labels apply with equal force. Hocking was the last representative of the Golden Age of American philosophy. In a manner that is quite unfashionable, he dealt with the grand intellectual themes that have traditionally occupied those who love wisdom: the nature of man, the meaning of life and death, and God. Gabriel Marcel refers to Hocking as “a man who, through the visible world, has never ceased to have the presentment of what is eternal.” His fellow philosophers, however bent on other concerns, would find it difficult to overlook his achievements. Hocking published seventeen books and two hundred seventy essays and delivered the prized Gifford and Hibbert Lectures. It is in part at least for such achievements that he is called the “dean of American philosophers.”

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