Here is yet another book of photographs. Al l were made in the industrial and coal-mining regions of Cape Breton in the two decades between 1948 and 1968. All were made by one man, a commercial photographer named Leslie Shedden. At first glance, the economics of this work seem simple and common enough: proprietor of the biggest and only successful photo [Book Review]

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In Jessica Evans & Stuart Hall (eds.), Visual culture: the reader. Thousand Oaks: SAGE Publications in association with the Open University. pp. 181 (1999)
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Here is yet another book of photographs. All were made in the industrial and coal-mining regions of Cape Breton in the two decades between 1948 and 1968. All were made by one man, a commercial photographer named Leslie Shedden. At first glance, the economics of this work seem simple and common enough: proprietor of the biggest and only successful photo. [REVIEW]H. D. Buchloch, Glace Bay Studio & Cape Breton Press - 1999 - In Jessica Evans & Stuart Hall (eds.), Visual culture: the reader. Thousand Oaks: SAGE Publications in association with the Open University.
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