Abstract

While debates over the existence of climate change rage on, impacts thereof have begun to unfold. Yet such impacts are uneven: for some, the impacts of climate change comprise direct threats, while for others it remains a relatively abstract idea. In this essay, I suggest that conceptualizing climate change as violence rather than exclusively an environmental or technological problem brings it closer to everyday life by exposing it as a concrete social and political issue, and that film provides a medium through which audiences might profitably grapple with climate change as violence. I first situate climate change amidst theories of structural violence and slow violence. I then argue that film represents the violence of climate change in a way that invites its audiences to locate their own corporeal and psychic lives in relation to climate change impacts. I demonstrate these claims through readings of The Day after Tomorrow and Half-Life.