Feminist Optics and Avant-Garde Cinema: Germaine Dulac's" The Smiling Madame Beudet" and Virginia Woolf's" Street Haunting"

Feminist Studies 35 (2):294-322 (2009)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,846

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Art-house cinema, avant-garde film, and dramatic modernism.Bert Cardullo - 2011 - Journal of Aesthetic Education 45 (2):1-16.
Decentring the Avant-Garde.Per Bäckström & Benedikt Hjartarson (eds.) - 2014 - Amsterdam: Editions Rodopi.
Neo-avant-garde.David Hopkins & Anna Katharina Schaffner (eds.) - 2006 - Amsterdam: Rodopi.
A New Avant-Garde?Gerald Keaney - 2011 - Rethinking Marxism 23 (4):556-564.
From avant-garde to para-garde : "The truth about Marika".Antti Salminen - 2010 - In Renée M. Silverman (ed.), The popular avant-garde. New York, NY: Rodopi.

Analytics

Added to PP
2013-12-22

Downloads
27 (#588,912)

6 months
4 (#787,709)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

No references found.

Add more references