Abstract

This paper addresses Socrates’ claim in the Cratylus that he and Hermogenes must learn of the correctness of names from “Homer and the other poets.” I argue that, in treating poetry as the starting point for investigating the relationship of language to reality, Plato reveals language to be a discursive articulation of non-discursive divine Being. Thus, while language cannot fully capture Being once and for all, it can function as a moving image of it by being kept in continual motion. Poetic language, as divinely inspired, sits at the threshold between language’s discursivity and the unified reality it strives to articulate, and can therefore reinvigorate philosophical contemplation by de-sedimenting concepts articulated in language that have become stagnant, re-opening them for examination in new, previously unarticulated, ways. This vision of philosophical contemplation through language is part of a greater theme of the tension between mortal and divine modes of knowing. Humans desire divine understanding but only approach it through the motion of contemplation. Plato’s treatment of Apollo at 404e–406a reveals the two-fold nature of philosophical contemplation as relying on a certain tension between the revelation of the inarticulable, unchanging divine Being and the attempt to employ reason to test and interpret such disclosures through the unfolding motion of dialectic.