Abstract

George Seddon takes a cheeky pride in his native wit, in his ability to improvise, invent, and to trip lightly over difficult terrain. These are the bush virtues of the Man from Snowy River. In this essay I reflect upon the interdisciplinary (and undisciplined) nature of Seddon's vision and practice, and place him in a tradition of nature and landscape writing in Australia that goes back to the 19th century. But I also suggest that he has been ahead of his time in many ways, particularly in his anticipation of the field of environmental history. He has been one of the people who has generated new environmental narratives that indigenize Australia, and which undermine the dominant imperialist, diffusionist, one-way accounts of origins. In this sense, Seddon has creatively embraced - and sometimes overturned - the predicament of the antipodean. Seddon happily combines poetry and practice. He became known as the `powerline man' in landscape planning, and enjoyed quoting William Blake to the State Electricity Commission of Victoria in his report on the Loy Yang coal field development. By analysing his 1998 submission to the Snowy Water Inquiry, the essay shows how Seddon unites `good science, good planning, good design, and good communication', and offers environmental wisdom that is both highly intellectual and extremely practical