The Painting of "Heart" and the Painting of "Eye"-Vision and Its Position in Eastern and Western Paintings
Abstract
As a way of thinking, self-understanding of Chinese and Western painting and their presence on the roughly the same: the form that corresponds to the ontological nature of Western painting from nature to create consciously rooted in the basic characteristics of the visual principles; corresponding to gas to the metaphysical nature of trends, Chinese painting to "like" win "shape" to "ink" win "color", then blending "head" in the "heart", "heart" dominate "head" and bridge the distance , visual taste for the sake of the "enter", "integration" as the basic features, and become throughout the painting, Shangjian the basic principles