Abstract

The title of this book translates one of the many ways in which Lucretius in De rerum natura names the basic matter from which the world is made. In Lucretius, and in the strain of thought followed in this study, matter is always in motion, always differing from itself, and yet always also made of the same stuff. From the pious Lucy Hutchinson's all but complete translation of the Roman epic poem to Margaret Cavendish's repudiation of atomism, a central concern of this book is how a thoroughgoing materialism can be read alongside other strains in the thought of the early modern period, particularly Christianity. In this light, Milton and Spenser are given close consideration. Although English literature is the book's main concern, it first contemplates relations between Lucretian matter and Pauline flesh by way of Tintoretto's painting The Conversion of St. Paul. Theoretical issues raised in the work of Agamben and Badiou, among others, lead to a chapter that takes up the role that Lucretius has played in theory, from Bergson and Marx to Foucault and Deleuze. This study should be of concern to students of religion and philosophy, gender and sexuality, especially as they impinge on questions of representation.