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Dance and the Lived Body: A Descriptive Aesthetics
(1987)
Abstract
In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the "lived body," She describes, with performance photographs, specific imagery in dance masterworks by Doris Humphrey, Anna Sokolow, Viola Farber, Nina Weiner, and Garth Fagan.
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Dance and the Lived Body: A Descriptive Aesthetics.Drew A. Hyland - 1987 - Journal of the Philosophy of Sport 14 (1):60-65.
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Citations of this work
The Mechanics and Meaning of Alpine Skiing: Methodological and Epistemological Notes on the Study of Sport Technique.Sigmund Loland - 1992 - Journal of the Philosophy of Sport 19 (1):55-77.
When the Landscape becomes Flesh: An Investigation into Body Boundaries with Special Reference to Tiwi Dance and Western Classical Ballet.Andrée Grau - 2005 - Body and Society 11 (4):141-163.
Resisting the ‘Patient’ Body: A Phenomenological Account.Sarah Pini - 2019 - Journal of Embodied Research 2 (2).
The experience of watching dance: phenomenological–neuroscience duets. [REVIEW]Corinne Jola, Shantel Ehrenberg & Dee Reynolds - 2012 - Phenomenology and the Cognitive Sciences 11 (1):17-37.
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