Abstract

The most important systematic analysis of social movements to date has been Touraine's The Voice and the Eye. Here, one can almost paraphrase Marx's famous dictum: for the French sociologist, the history of all societies is a history of movements. In identifying movements with social classes, Touraine negotiates a radical turn from system theories to a strong version of action theory and breaks with the Procrustean framework of an Althusserian-Poulantzasian structuralism in which everything is accounted for once the economically based class equivalent has been found. For Touraine, movements emerge and diversify in the process of their challenging “historicity” — a key concept derived from Castoriadis’ central category, the imaginary institution