Abstract

In One-Dimensional Man, Marcuse synthesized a wide range of ideas from the early Lukács, Husserl, Heidegger, and his colleagues, Horkheimer and Adorno. This synthesis is the culmination of the tradition of radical modernity critique that rose to prominence in the 1960s, providing the ideological basis for the New Left and its successor movements such as feminism and environmentalism. I develop an approach to this tradition in terms of the relation of function to meaning as it is reflected in the thought of Lukács and Heidegger. The paper concludes with an account of the relation between this theoretical heritage and contemporary technical politics.