Abstract

On the dust jacket of The Subject's Point of View there is a detail from Vilhelm Hammershoi's Interior with Sitting Woman. It is hard to think of a painter who better captures the inner in his work. From the monochrome colour, to the back that faces us, to the door swung open to reveal yet another doorway, we are led to interiority – to the inner. This is a perfect image for a book whose author wants to persuade us to return to the interior – a Cartesian interior.The Cartesian interior has come in for quite a drubbing in philosophy for some considerable time. In the mid-to-late 1970s, a style of argument emerged, designed to challenge this conception of mind and establish in its place an externalist conception of language and of mind. One version of the argument was due to Hilary Putnam and emerged in the context of considerations concerning linguistic meaning; another was due to Tyler Burge and emerged first in the context of considerations concerning the individual in relation to his/her social environment. In his earliest paper, on this topic, Burge wrote of ‘the elderly Cartesian tradition’ where ‘the spotlight is on what exists or transpires “in” the individual – his secret cognition, his innate cognitive structures, his private perceptions and introspections, his grasping of ideas, concepts or forms’. Farkas wants to defend this ‘elderly tradition’, but she does add to it some interesting twists. First and foremost, she places to one side ideas of privacy, of incorrigibility and infallibility. She also wishes to place the issue of dualism to one side. What Farkas concentrates on is privileged access and argues that this is …