Beyond Representation: Philosophy and Poetic Imagination

Journal of Aesthetics and Art Criticism 55 (4):441-443 (1996)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

1997

DOI

10.2307/430941

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,932

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Beyond Representation: Philosophy and Poetic Imagination.Richard Thomas Eldridge (ed.) - 1996 - New York: Cambridge University Press.
Poetry and truth-conditions.Samuel Fleischacker - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press. pp. 107--132.
Chaos and System in the Romantic Fragment.Azade Seyhan - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press.
Confession and forgiveness: Hegel's poetics of action.J. M. Bernstein - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press. pp. 34--65.
Fractal Contours: Chaos and System in the Romantic Fragment.Azade Seyhan - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press. pp. 133--50.
Her blood and his mirror: Mary Coleridge, Luce Irigaray, and the female self.Christine Battersby - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press. pp. 249--272.
Self-consciousness, social guilt, and romantic poetry: Coleridge's Ancient Mariner and Wordsworth's Old Pedlar.K. R. Johnston - 1996 - In Richard Thomas Eldridge (ed.), Beyond Representation: Philosophy and Poetic Imagination. New York: Cambridge University Press. pp. 216--248.
The Science of Art Is as Relevant to the Philosophy of Art as Artistic Representations Are to Science: A Reply to Roger Seamon.William Seeley - 2011 - American Society for Aesthetics Newsletter 31 (3):4-5.
The Age of Criticism, 1900-1950The Alien Vision of Victorian Poetry, Sources of the Poetic Imagination in Tennyson, Browning and Arnold. [REVIEW]Richard Kuhns, William van O'Connor & E. D. H. Johnson - 1953 - Journal of Aesthetics and Art Criticism 12 (1):130.
Yitsugim: metsiuʼt, ḥiḳui ṿe-dimyon - ʻiyunim biḳortiyim = Representations: reality, imitation and imagination - critical studies.Yair Maimon & Nitza Ben-Dov (eds.) - 2020 - Tel Aviv: Mekhon Mofet.

Analytics

Added to PP
2017-02-21

Downloads
12 (#1,093,652)

6 months
3 (#1,207,210)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

The Art of Writing in the Republic of Philosophy.Rita Elizabeth Risser - 2019 - Journal of Philosophy of Education 53 (1):77-93.

Add more citations

References found in this work

No references found.

Add more references