Abstract

Stephen H. Daniel's novel approach interprets the thought of Jonathan Edwards thorough semiotics, the theory of signs. He explicates the theory of signs that pervades Edwards' thought and associates it with elements of post-modernist semiotics in Foucault, Kristeva, and Peirce. He contends that Edwards himself developed a viable alternative to the classical-modern philosophical outlook by drawing explicitly upon the pre-modernist Renaissance propositional logic of Peter Ramus.