Abstract

This article merges the intellectual concept of utopia and the material culture of the pie as a metaphor to explore the relative hegemony of Judeo-Christian utopian literature and criticism. Citing Lyman Tower Sargent's contributions to opening up scholarship on comparative utopias, the author underscores his influence on her own thinking and publications on the topic. The study traces parallels between intellectual and material cultures, especially in French, Japanese, and Indigenous Australian contexts. In conclusion, it suggests that contemporary transformations in writing and reading utopias should encourage greater recognition of intercultural imaginaries of the ideal.