Abstract

In the twenty-first century, with steadily increasing production and consumption of the zombie genre, academic interest in it is also growing. Scholars seek to explain the phenomenon, frequently focusing on the living dead and mostly seeing the figure of the zombie as an expression of the anxieties besetting contemporary society. In particular, its popularity can be interpreted as a response to the escalating climate of terror since the 9/11 attacks in 2001, after which media reporting has routinely been permeated with images of death and destruction,1 constantly drawing attention to the insecurity that threatens to turn the American dream into a nightmare.2There is no shortage of authors who have emphasized the...