Abstract

Abstract:Thoreau’s story of climbing Saddleback (Mt. Greylock) in A Week on the Concord and Merrimack Rivers (1849) preserves his memories associated with the place and establishes the cultural significance of the mountain. The interpolation is about Thoreau’s quest to find a place of meaning and permanence amid the rapid changes in his life and the development of rural New England from industrialization. Places are integrations of space and time created by stories with personal and cultural significance. Such places must be preserved. The hike is a pilgrimage to a paradise where he has a transcendental vision of a new world. Thoreau is born again on the mountain. The Greylock story is one of the most studied places in A Week. Literary critics have discussed how Thoreau’s ascent and the sunrise at the summit are the climax of the Romantic hero’s journey through nature, space, and time. None have noticed the symbolism of Thomas Carlyle’s “untamable fly” appearing instead of God, and none have explored Greylock as a Thoreauvian place. Thoreau’s trip to Greylock and the Catskills was a search for inspiration, and he was inspired to write Walden (1854). He stayed in cabins that prefigured his house at Walden Pond, and he saw things that reminded him of Harvard, Boston, Staten Island, and other mountains he had climbed. At the summit he found water, nibbled supper with the mice, conceived of a book about nature, and watched the sunrise of his new life. The history of Greylock is the story of the environmental impact of unregulated lumbering and development and the resulting conservation efforts. The old growth forest is now protected state land, with rare birds and a ghost. The mountain is a literary place also associated with Hawthorne, Melville, and Rowling. Since 1994, Thoreau’s climb up Greylock has been commemorated by an annual hike retracing his footsteps.