Being True to Works of Music

Oxford University Press (2020)
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Abstract

Julian Dodd offers an original approach to the controversial concept of authenticity in musical performance. He argues that the fundamental norm is not historical authenticity but interpretive authenticity: being faithful to the work by evincing a profound, far-reaching, or sophisticated understanding of it.

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Author's Profile

Julian Dodd
University of Leeds

Citations of this work

Musical works, types and modal flexibility reconsidered.Nemesio García-Carril Puy - forthcoming - Journal of Aesthetics and Art Criticism 80 (3):295–308.
The Heart of Classical Work-Performance.Andrew Kania - 2022 - British Journal of Aesthetics 62 (1):125-141.
The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
Everyone Can Change a Musical Work.Caterina Moruzzi - 2022 - British Journal of Aesthetics 62 (1):1-13.
Nested Types and Musical Versions: Replying to Davies’s Challenges.Nemesio García-Carril Puy - 2021 - Journal of Aesthetics and Art Criticism 79 (2):256-260.

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