Oxford University Press (2020)

Authors
Julian Dodd
University of Leeds
Abstract
Julian Dodd offers an original approach to the controversial concept of authenticity in musical performance. He argues that the fundamental norm is not historical authenticity but interpretive authenticity: being faithful to the work by evincing a profound, far-reaching, or sophisticated understanding of it.
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ISBN(s) 9780198859482   0198859481
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Citations of this work BETA

Everyone Can Change a Musical Work.Caterina Moruzzi - 2022 - British Journal of Aesthetics 62 (1):1-13.
The Heart of Classical Work-Performance.Andrew Kania - 2022 - British Journal of Aesthetics 62 (1):125-141.
Musical Works, Types and Modal Flexibility Reconsidered.Nemesio García-Carril Puy - forthcoming - Journal of Aesthetics and Art Criticism.
Nested Types and Musical Versions: Replying to Davies’s Challenges.Nemesio García-Carril Puy - 2021 - Journal of Aesthetics and Art Criticism 79 (2):256-260.

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Performing Works of Music Authentically.Julian Dodd - 2015 - European Journal of Philosophy 23 (3):485-508.
Performing Musical Works Authentically: A Response to Dodd.S. Davies - 2013 - British Journal of Aesthetics 53 (1):71-75.
Works of Music: An Essay in Ontology by Dodd, Julian. [REVIEW]Andrew Kania - 2008 - Journal of Aesthetics and Art Criticism 66 (2):201–203.
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Unperformable Works and the Ontology of Music.Wesley D. Cray - 2016 - British Journal of Aesthetics 56 (1):67-81.

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