Abstract

In her 1966 essay "Against Interpretation," Susan Sontag vehemently opposes specific methods of analyzing artworks that reduce them to mere examinations of their content. Sontag contends that interpretation often seeks to inject more meaning into the content than the artwork inherently possesses in its form. Consequently, she argues that interpretations that focus on content tend to devalue the significance of the artwork's form. Sontag asserts that content comprises the artwork's "prescriptive" ideas (12), which serve as a pathway for the viewer to grasp the artist's "picture of reality" or "statement" (4). This is achieved through an interpretation of the artwork's form. On the other hand, form encompasses the "descriptive" elements of the artwork (12), including figures, colors, and lines. These elements, in themselves, should suffice to evoke a response in the viewer.