Adorno's Philosophy of Modern Music

(1997)
  Copy   BIBTEX

Abstract

Examines Adorno's principle theme: the historical demise of tonality as the basis for the valid practice of musical art. This theme proceeds from his dialectical view of reality, and from the consequences of the historical change that began with the ascendancy of the bourgeoisie.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 94,045

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Music as Negative Theology.Eduardo de la Fuente - 1999 - Thesis Eleven 56 (1):57-79.
Adorno’s Philosophy of New Music: A Thing of the Past?Kalle Puolakka - 2018 - Journal of Aesthetics and Phenomenology 5 (1):67-78.
Adorno.Lucia Sziborsky - 2010 - In Stefan Lorenz Sorgner & Oliver Fürbeth (eds.), Music in German philosophy: an introduction. Chicago: University of Chicago Press.
Essays on Music.Richard Leppert & Susan H. Gillespie (eds.) - 2002 - University of California Press.

Analytics

Added to PP
2015-02-02

Downloads
5 (#1,562,727)

6 months
1 (#1,723,047)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references