Abstract

Luc Dardenne focuses on his work with his brother lean-Pierre, and in particular on their last film Le fils, and on the path which has led them to the mastery of new cinematographic practices. Dardenne touches on, in turn, the importance of the history and memory of struggles, changes in forms of engagement and of resistance, in the ethics of filming a body, the imbrication of technology in the search for the limits of their art