Abstract

The essay is devoted to the reconstruction of the philosophy of art of Novalis, one of the prominent German Romantics, who presents it in his writings in a fragmentary way. Research of this type appears in scholarly literature for the first time; it utilizes a complex philosophical-aesthetic method of analysis of texts of the German thinker. Novalis appreciates art as one of the highest achievements of humanity, which elevates the human being from ordinary life to spiritual heights. Art is a free expression of the artists' Ego. Art is simultaneously a “self-contemplating and a self-creating nature.” The creative principles of nature are transformed within the spiritual world of the artist and express themselves in art. The secrets of nature are revealed to the artist. The artists sees something great in the least significant things. The beautiful is the object of art and this creates kinship between all types of art. Artists (including painters) do not imitate the external world but they create by means of their internal world. All types of art gravitate towards mutual harmony and foreshadow a synthesis of the arts of sorts. Novalis positions poetry above all other arts. This is because according to him poetry establishes heavenly wisdom on earth, elevates the human being over everyday life, and serves as the foundation for all other arts. Philosophy is internally linked to poetry and serves as its theory. The philosopher must be a poet. The poet lives a special, contemplative life and is a wise and prophetic person. Novalis imagines the future Romantic age as fabulous, magical, poetic, ironic, alogical. “Intelligent chaos” will play a specific role in it. All earthly will be elevated to the heavenly. Novalis considers the novel as one of the principal forms of Romatic poetry and presents its chief characteristics.