Response to Christopher Peacocke's ‘The Perception of Music: Sources of Significance’: Symposium

British Journal of Aesthetics 49 (3):289-292 (2009)
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Abstract

My response consists essentially of an attempt to throw light on Peacocke's basic proposal as to how musical expressiveness should be understood by a comparison and contrast with a somewhat similar suggestion of mine.

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10.1093/aesthj/ayp018

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