Abstract

The purpose of this paper is to examine the evidence commonly claimed to show the presence of slaves in the audience of Plautus’ comedies (above all the evidence of his prologue toPoenulus) and to argue that it more probably shows the opposite, that slaves werenotpresent, or at least were expected not to be. The question is given some urgency by the appearance of Amy Richlin's new book, which takes the presence of slaves in the audience for granted and builds on it to develop a view of Plautine comedy as addressing the experiences, hopes and fears of those slaves. Richlin cites thePoenulusprologue at pages 89–90, accepting it without detailed discussion as indicating the presence of slaves in the audience; and it has been cited similarly in standard handbooks from which I quote a representative sample of remarks below. Some scholars have said things in passing which suggest a different conclusion, but they too have not discussed the question in detail or examined the other evidence that has been thought relevant to the issue. I think that the time is ripe for closer scrutiny of all this evidence.