Abstract

‘Untitled (2:10am)’ is a photo-series that draws together cinematic, architectural and musical references to examine the relationship between time and change within the post-communist condition. The work is part of an ongoing examination of the relationship between imagery, time and political agency. The work’s title refers to Sergei Eisenstein’s 1927 film ‘October’, the closing scenes of which mark the moment of the Bolshevik victory (2:10am) with a montage of clocks from across the globe. The order and arrangement of the photographs in the exhibition is based upon a reading of Morton Feldman’s work for piano ‘Triadic Memories’ (1981).