Abstract

This critical cartography surveys seven moments in critical practice/art pedagogy, which oscillate around the moment of 1968 and diffract the contemporary possibility of art education, which we associate with Halberstam’s notions of evacuation and wildness. Engaging with recent pedagogies of individual and collective self-experimentation this paper reads across Deleuzguattarian schizoanalysis and Baradian intra-action to propose an undercommons concerned with racial justice operating beyond the Neo-Liberal University in tandem everyday practices and addresses the work of Black Lives Matter Bristol, Audre Lorde, Mohamed Melehi, Benjamin Patterson, and Howardena Pindell as indicative of such a pedagogy-to-come.